For my 2018 calendar, I invited art friends and colleagues to contribute their favorite FLAVOR combination, along with a recipe and a story. I received 12 great combos and I used the ingredients for my inspiration in my studio. This month I’m featuring the story and recipe for Texas Caesar Dip, submitted by artist Mona Jones…Read More
Pumpkin8″x 8″oil on gessoboardClick here to purchaseMy husband and I went to the Sitka Art Invitational, and I was stuck by Scott Conary’s work, especially by his painting, “Robert’s Door”.The use of color and the paint application was stunning!&n…Read More
I miss my dad’s Valentine’s Day cards.
It didn’t matter what it said, I just miss his signature, “Love, Dad”.
He passed away several years ago.
Soon after he passed, around Valentine’s Day, I read this blog post by my friend, Gwenn Seemel, who is a portrait artist. In her blog post, “Signature Style”, she wrote,
“I’ve never wanted to sign the fronts of my paintings….My decision originates on a very visceral level—the act feels like a desecration!—but there’s a logic to it too: signing art seems redundant to me. Shouldn’t the work itself represent the artist better than her-his name?”
No signature????? That’s all I remember about my dad’s cards!
When looking at a piece of art, I look first at the work, and second at the signature. I may recognize the piece, but the signature let’s me know it is from the artist.
I get some sense of satisfaction.
I know it’s from them.
Mona’s studio has a lot of space and windows and light. She has some very big canvases and uses big brushes, bold colors, and expressive lines. The big yellow canvas is what she uses to experiment on.Last week I blogged about the Mi Mancherai video of …Read More
I recently came across the art work of two local artists (Portland, Oregon) Mona Jones Cordell and Martin French who do a beautiful job of drawing and painting the dynamic figure. Here is a link to a wonderful video about Mona’s work: http://www.mon…Read More